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eatme

Thoroughly excited to have a new short story, “This House of Cards Must Fall”, featured in the first edition of The Treacle Well, an online literary magazine showcasing new writing, along with art, photography and reviews. The picture above is the illustration which Rebecca Brown did for my story, which is… a Wonderland and a sacrilege and a sweetshop fantasy.

I haven’t been writing anything like enough of late, but seeing this story online is proving a great reminder of how exciting it is to have people read your work. And – whisper it – but having read it over I’m quite chuffed with the story, too. It’s a fairly indulgent piece (it starts with a Nietzsche quote, for crying out loud), but then I’m incurably fond of indulgent writing.

TW doesn’t have a comments field, so if anyone has any feedback on it feel free to leave it here.

 

Read “This House of Cards Must Fall” here

 (I’ll add a link to it under the “Fiction” tab above, too)

And you can read The Treacle Well’s amusing introduction to issue 1 here. The rest of the writing is completely worth reading through as well. I read an earlier version of Ross McDiarmid’s “Princes Street” ages ago in Edinburgh Tales, and still think it’s fantastic. I’m rather chuffed to be sharing a zine with it, to be honest. Additionally, the rather brilliant Laura Jones has contributed some great illustrations, especially to ‘All the Pretty Birds’, and ‘Leaves’.

Without further waffle – go read. Bon appetit!

(And if you enjoy, do ‘like’ the TW’s Facebook page, follow their Twitter, and so forth)

 

In other news, my last blog, “First Observations of Librarianship”, was enthusiastically received by Emily Dodd, the Reader in Residence at Leith Library (as well as being a children’s author, science communicator, performance poet … definitely one of those intimidatingly talented types). She retweeted it using the library account, and is keen to get me involved with writing for the Leith Library blog, too. So that’s ANOTHER reason to sharpen up my rusty pencils.

Yes, rusty pencils.

They’re, uh, made of iron.

So that I can write

… ironically?

And that, gentlebeings, is exactly why they need sharpening.

I’ve been working at a public library for around six weeks now. A few observations thus far:

 

  • Libraries run on elastic bands and thousands of little bits of scrap paper. Were either of these things to run out, there would be no more libraries.

 

  • When you work at a library, people assume you sit and read books all day. They are very wrong.

 

  • Jacqueline Wilson has written more books than all of the other humans put together.

 

  • Chris Riddell has illustrated an insane number of children’s books. And every last one is completely gorgeous.

  • Each library has a distinct flavour: I’ve worked at three so far, and they’ve been wildly different (though all basically enjoyable) work environments.

 

  • People read a lot of Crime fiction. A lot of crime fiction. It’s not only more borrowed than the other genres (second place would have to be Romance, especially large-print Romance. Little old ladies sure love their thinly-veiled erotica.), it’s possibly more borrowed than ‘general fiction’. A lot of this is fueled by people getting out five whopping great police thrillers, reading them over the weekend, and then bringing them back for five more.

 

  • There is always chocolate in the staff room. I do not know from whence it comes. But come it does, in droves.

 

But the most obvious, most overwhelming impression is this: people are many, and strange, and wonderful.

I’ve had everything from drunks who had to be asked to leave for singing along to Youtube (“But, mate, I’ve got headphones in”), to a little girl running up to show me her tooth that just fell out, to the amazing old guy who spent £2.20 printing out pictures of jockeys, greyhounds and meerkats “for research for a painting I’m going to do. It’s going to be a meerkat jockey, riding a greyhound, jumping a fence”.

I’ve been asked in a hushed whisper for books on (glance around to see who’s looking) the Illuminati. I’ve painted polystyrene Easter eggs with little kids (see picture below!). I’ve been threatened with court by an irate customer who refused to believe he had £24.10 in library fines.

eg

This is just a collection of first impressions. But I do believe I’m rather enjoying myself.

On October the 1st, I had a job interview for a position as a ‘library adviser’ with the City of Edinburgh Council.

 

They told me that because it was their first major staff intake for two years, they were holding a lot of interviews, and getting back to me might take a while – around three weeks.

 

Four weeks later, I emailed asking whether they could provide any feedback on why I hadn’t been offered the position.

 

Six weeks after the interview, in mid-November, they called me and offered me a job: part time, at Leith Library. Before I could start, I’d need to undergo a PVG (Protection of Vulnerable Groups) check, to prove I was safe to work with children.

 

On December 7th, I went in to Leith Library to complete my PVG form. Gorgeous building, delightful people, kids milling around reading books and playing with plastic helicopters. I felt excited to start work; I cycled home whistling. A PVG normally takes around three weeks to go through. I told the friendly manageress that I’d be away over New Year until the 8th of January, and she said that fitted quite neatly, and we’d try to arrange a start date shortly after my return. “See you in January!” she said cheerfully as I left.

 

At the time I was working two jobs: Freelance writing for a property website, and a 16-hr/wk post as Social Media Co-Ordinator for an online florist. I told the florist that I wouldn’t be coming back after Christmas, as I expected to start a new job after I returned from travelling in the New Year. They had another suggestion: how about I keep writing their blog, from home?

So when I returned on the 8th of January, I had – I have – two work-from home jobs, each for one article per weekday. Ten hours work a week.

There was no PVG certificate waiting for me when I returned. After a couple of weeks, I contacted the library manageress, who offered to chase it up.

 

In late January, eight weeks after doing my PVG form, I was sent a medical check and bank details form – but no contract. I got in touch.

 

Everything was in place, I was told, except the PVG still hadn’t come through. The lady at HR tracked it for me. It turned out that the first time it was submitted it hadn’t had the right ID attached (nothing to do with me, I provided all the required ID on December 7th), so it was resubmitted with the ID – on January 23rd.

 

A PVG check normally takes around 3 weeks. So I can expect to wait another week and a half. All due credit, the library manageress has offered to call the PVG people tomorrow to see what can be done.

 

It’s early February. Four months after my interview, two and a half months after being offered the place, eight weeks after filling out my PVG form. Because of the nature of the process – where I’ve continually thought that in just one more week it’ll all be sorted – I haven’t been able to look for stopgap work, and my freelancing doesn’t even cover rent. I’m burrowing slowly through my resources.

I still want this job. I’m still excited to start. I still fully expect to love it. But bureaucracy, man. Bureaucracy is taking her own sweet time.

everythingatonce

As though to apologise for the barren deadlands of the Autumn, events are piling in like snowdrifts.

A lot of things are almost sorted: not rubberstamped, but getting there. New job, new flatmate, Master’s degree applications. Getting there.

New job: in my last post, I said: “I had a couple job interviews which I invested far too much in emotionally. Never heard back from one, which only prolonged the maybe-if. Shame though; I kind of fancied being a local librarian.”

Well, it looks like I underestimated the length of ‘never’. A full six weeks after my interview, the nice lady from Edinburgh Council called to offer me a part-time position at Leith Library. I’m currently jumping through all the hoops of PVG checks and such, so by the time I start in January it’ll probably be no less than three-and-a-half-months from interview to start. I guess that’s the council for you.

This is pretty exciting though. Libraries are awesome.

It also looks like I’ll be able to keep doing not only my current work-from-home job, but also move some of the work from my current go-and-sit-in-a-freezing-office job into a second work-from-home number. If this all comes through, then I could actually be able to afford bread and milk next year, which would be pleasant, to say the least.

That’s been a worry recently, mostly due to council tax. I’ve been trying for months to put money by for New Year shenanigans, but the taxman doesn’t seem to like that idea, and he’s been winning. First off I had an elongated stand-offconcerning council tax benefit, which I lost. And just when I’d more or less pulled things together after that, there was a new saga…

New flatmate: My flatmate Georgine recently decided to move out, and into a new flat with her boyfriend Marc. She advertised her room on Gumtree, and got a taker almost immediately. All fine and dandy (except that we’ll miss her, obviously, and that she took the biscuit tin). The taker was a friendly-seeming befringed chap, who we’ll refer to as ‘Sebastian’ by virtue of that being his fucking name.

Detect a note of spite? Yes, perhaps you do.

Georgine moved out on the 1st of the month, and we were all ready to welcome Sebastian in the same day – but then, the night before he was due to move in, Sebastian emailed our landlords to say that he wouldn’t be taking the room, and could he have his deposit back? By a fluke of disorganisation, he hadn’t signed the tenancy agreement yet, so he was able to walk away from the mess that he’d created without a mark on him.

Cue a disgusting period in which, facing the prospect of being the sole non-student in the flat, I was potentially looking at a further 50% on my council tax bill. First one, then another viewer turned the room down on the basis of just that – the high tax rate. Let’s just say I haven’t been sleeping too well.

(For any readers from abroad, council tax is a monthly rate paid to the council, calculated per property. Students, quite rightly, are exempt. However, instead of then charging non-students who live with students a reduced rate, the entire bill for the property is passed on to the non-students. You get a 25% discount if you’re the SOLE payer, but other than that you’re on your own. Effectively, I’m being punished to the tune of hundreds of pounds a year for choosing to live with people who go to university – a bizarre and cruel reverse-loophole.)

But now we have a new tenant, a chatty lad named Ewan, moving in on Friday. Hopefully. If it all goes Sebastian again I’m going say goodbye to everyone, take a mallet, and walk out into the street to break things.

So: new job, new flatmate, and hopefully I should have a couple of speculative MFA applications sent off in the next couple of days too. I’ve also got some extra work from the work-from-home which, though mindbogglingly dull, will just about write off the cost of those applications.

So while I’m still broke as the Eurozone for the moment, and I’ve not been able to get properly excited about Christmas or New Year at all, it now looks like I’ll be able to relax and enjoy them when they actually arrive. Fingers crossed!

(If anyone’s finding that my sporadic blogs over the past while have tended to blah on about things getting better, there’s a simple enough reason – I try to avoid whinging in blog-form, so when things start looking up, that’s the catalyst for me thinking “ooh, I should really get around to a blog post soon”. And, well, because exciting things are more fun to tell people about than glum things.)

More bloggery to follow soon, including some posts next month about Amsterdam and Berlin. Because, did I mention I’m going to Amsterdam and Berlin?

And possibly one about The Hobbit. I am quite excited about The Hobbit.

Like a Rolling Stone

rolling-stone

In one of the biggest shocks of the 21st Century thus far, the latest single from the Rolling Stones is quite good. It’s a proper crunchy blues-rocker with wiggly guitar lines and a strangely compelling vocal performance from Mick Jagger, like the exact midpoint between a croon and a squawk. How did these substance-addled geriatrics, so R-‘n’-f’n-R that they vocally defend their decision to charge £250 for a concert ticket, manage to produce anything of quality, let alone this rough-hewn gem? We’ll never know.

The song’s called “Doom and Gloom”:

Sittin’ in the dirt
Feelin’ kind of hurt
All I hear is doom and gloom
And all is darkness in my room
Through the light, your face I see
Baby take a chance
Baby won’t you dance with me

 

Doom and Gloom would be an exaggeration of how I’ve been these last few months, but I’ve done my share of feelin’ kind of hurt. As usual, it’s only from the hillside that you see the expanse of the valley: I’ve been pretty energised for a couple of weeks now, which are showing September and October up for the slumps they were. The wan, twentysomething graduate speaking in terms of uncertainty. Let’s not pretend there’s anything original here.

I had a couple job interviews which I invested far too much in emotionally. Never heard back from one, which only prolonged the maybe-if. Shame though; I kind of fancied being a local librarian. For now, I’m keeping the part time work and getting started on my Master’s applications. When my North American friends visit at new year, I’m going to take a couple weeks out for escapades, and afterwards I’m going to look for full time work – bar, shop, whatever – to shore me up financially for a while.

While I apply to postgraduate degrees, and send stories to magazines, and write letters, and brew beer, and cycle, and read, and riff. Maybe learn to drive at last. Maybe actually update my blog.

And I’ve started another book. I think it’s going to be a long-term project, this one. Lots of world creation to do. Lots of tangled webs.

Tangled webs:

You know, only some strands of a spider’s web are sticky: the crosspieces. The silken lines that extend from centre to edge, the radial lines, are smooth, and that’s how a spider can walk around its own web without getting stuck.

That’s the trick; walking on the radial lines.

See, if I get stuck, then I’ll only gather moss. And I’d rather not do that just yet. There’ll be time enough. For now, I’ll keep on skidding down those radial lines, if I can find ‘em. Like a freewheeling spider.

Like a rolling stone.

The Fifth Season

The Fifth Season

We tumbled all the instruments into the chasm. Everyone agreed that it was probably for the best. The blasted things were only distractions. They’d had their uses, once, but those frivolous times were gone. Music was an idle superstition. A beast of a distant past.

For we are Homo Superius now, and we wear no tie to the office on Casual Friday. Songs of love and longing have no place in our active, dynamic and integrated world. Homo Fully Erectus has interpersonal skills which put the sweetest ode to shame, which could dull the keenest note from the purest harp. So we put a pin in them, in all of them, and we pulled the pin out, and they kthhhflibbeted through the air in circles like a balloon in its death throes, and disappeared with a final, wheezing discord.

Put more prosaically, we put them into holes in the ground. Museum pieces and oddities first. Lutes and ouds and three-stringed Appalachian dulcimers. We sniggered as we toppled in the virginals, although discreetly; you wouldn’t want the boss to see. In city squares in every CBD of every performance-oriented fast-expanding New World megatropolis we dug the great pits, and sweated with the unaccustomed labour as we pitched in harps and theremins and kids’ kazoos. Electric guitars tumbled after, the embarrassments of our pimply youths before we realised that rebellion was unnecessary because the world would give us it all, after all, if we would only ask it the right way, with vim and a can-do attitude.

We did it all on a Saturday, of course. It gave us something to talk about on Monday, during Networking Hour from 12 until 1. And something to tweet about on the Sunday in between, when there was otherwise nothing much to do.

A few of us kept something back. Out of vague misgivings or a notion that there might be a future opening in the teenage market for retro noisemakers, we held on to a harmonica, or we kept the piano, but ‘only for furniture’. A few crazies out in the hills and suburbs kept their old banjos and drumkits, of course, but among normal people with real jobs, compliance was contiguous with the overall thrust of the initial mission statement. Eventually the handful of us who had kept an instrument in the cupboard soon found it taken from them: not by Thought Police or even Company Policy, but by a stronger force—shame. Mate, did you hear about Bill? Actually kept a, like, electric bass? Like actually kept one, like he’s going to be in a band someday. Hi-larious, mate. Cheeks burning, we pitched our relics down the shafts atop the rest, then turned to join in the ribald laughter.

And so the world quietened. The gentle whirr of computers was the wind across our desert. Background chatter expanded to fill the foreground, or didn’t. We kept some elevator muzak and radio jingles, and a handful of scores for smartphone apps. Artificially intelligent computer programs generated appropriate emotive syrup for blockbuster movies. And that…was all. More and more of the crazies were following suit, seeing that they were out of step with the times. They traded in their tambourines for Facebook credits. We felt good about ourselves. Our forward-thinking hands-on drive to success had been a great team effort leading to a process of rapid progress across multiple sectors of the playing field.

A few grandparents still kept antique pianos, but that was all. Eventually the grandparents died.

Now silence is all and is everywhere. Noiselessly the directives and press releases flow from IT to HR via FUBAR and DOA. The markets have no melody, and our ergonomic keyboards do not even clatter with arrhythmic percussion, so sleek is their design.

And no busker can be heard, trumpet notes wafting in through an open window. No Greensleeves accompanies the ice-cream vans.

Music laid to rest, other pagan rituals followed: art and verse. The walls are medical green for optimal workplace productivity: no pictures hang. We have forgotten our poetry. Forgotten what rough beast, its time come at last, may slouch towards Bethlehem to be born. Forgotten the heav’nly Muse on the secret top. Forgotten, in the process, how to make a decent cup of coffee, although we gulp it more insatiably than ever as we race to meet next month’s targets. Somewhere, I even think that we forgot to…

What was I saying? I can’t…

I catch sight of my reflection on the inside of the sheet-glass window. It’s dark outside: I doubt I shall bother going home tonight. I’ll just press on and try to meet my target. My reflection raises an immaculate hand to tighten his tie, and it seems to me for a moment, a moment which has travelled a long way to get here, that my reflection is waiting. Waiting for a breeze to catch a dangling chain, somewhere outside. For a schoolchild to rattle a stick across some railings in a quick triplet pattern: dadada, dadada, dadada.

So that somebody, glancing up at their reflection on the inside of a sheet-glass window, might pause for a moment. And if they listen, then they might hear. And, just for a moment, regret.

 

Fox watching

‘The Fifth Season’, Aran Ward Sell 2012.

Fishlike

Reasons to Remain image: Fishlike

The hand of the swimmer holds a stone. It doesn’t help her swim. The stone, which is round and eggshell-blue and flecked with green seaweed, weighs the swimmer down, and makes swimming a little slower.

But the stone is eggshell-blue and round, and flecked with green seaweed, and the swimmer saw its oval shape in a patch of white sand deep into the clear lagoon, and took a fancy to it. She pulls strongly for the surface now. The arm which holds the stone finds it harder to reach upwards, but then she brings it down with a satisfying rush, and it seems to act like a counterweight to her other arm, which stretches long and graceful towards the air.

She breaks the surface. Water bursts around her, then settles. She treads water and looks for the boat. It isn’t there. In front of her, nothing but the placid blue surface of the lagoon.  In the distance, far beyond it, she can see the entrance between the headlands; the thin blue strip where the sea joins the lagoon. She is facing the wrong way. She turns, an oddly clumsy motion when set against her fishswift swimming. Like a seabird or a seal, suddenly ungainly on land.

She turns a half-circle, and the men in the boat are laughing. They’re only yards away, chuckling at her confusion. Behind them, she can see the thin yellow line of the beach, and above that the fat green swell of the jungle, stretching back beyond sight. Between the two, some brown squares and shapes are signs of the village: houses, boats on the beach, long wooden racks where fish are set to dry in the sun. That sun already sends waves of warmth to dry her hair on her scalp as she floats. To crust the salt.

The bottom of the boat is already lined with clams. And chunks of coral which the divers thought were pretty, and big fan-shaped shells, and a lobster that one of the men wrestled live to the surface to see if he could. It twitches suspiciously on the pile of clams, snapping with its blue pincers when one of the men teases it with a piece of stick. They laugh at this too.

“I saw an eel!” she shouts to the boat. “It was enormous, you should try to catch it! It can be friends with your lobster.”

The man who caught the lobster calls back. “I don’t think my lobster’s very friendly. He isn’t making friends with this stick.”

The other man calls out. “Did you get any clams?”

“No, I got this,” she calls back, and lobs the stone. The first man fumbles it, but the other darts out an arm and catches it before it falls in the water. He examines it; it is larger than a fist, and peacefully oval. Neither of them have to ask why. They put it with the clams and the coral and the starfish in the small wooden boat.

She bobs in the water for a while. She makes little waves with her hands and they splash against her neck and face. She gets some in her eyes and she splutters and laughs at herself. Above the water, her hair is matted close against her skull, pulled taut by the weight of the water and the weight of gravity. But the ends fan out on the surface of the water in countless strands like the fronds of a fine black seaweed, the intricate tendrils of a dark sea anemone. A water-borne carpet of glistening threads.

“Are you going down again”?”

She considers the liquid depths. They are soothing and homelike, but they will always be there.

“No,” she calls back. “I want to go eat!”

She stays still as her friends bring the boat to her. Then, with the aid of a proffered hand, she pulls herself in. Her waterlogged clothes cascade excess sea into the bottom, and the lobster wriggles away in protest. She flicks water from her sleeve at its roving eyes; in response, it waves its fat claws at her imperiously from atop its mound of clams. Its captor descends into giggles.

She wrings out her hair over the side as the two men begin to pole the small boat back. Their strokes are strong but leisurely, and they move steadily through the calm lagoon. The southern shore, to their left, rises to small cliffs, and at one spot a small waterfall tumbles from a height. Their own village is on the west, furthest from the sea. It spans both banks of a rivermouth which feeds the sea-lake. The jungle continues, far father than she has ever been, along both sides of the riverbank. It is sweaty, dark, a lustrous green tangle speckled with orchids and spiderwebs. Cornucopias of unknown fruit and great profusions of shining leaves of every shape.

She leans forward to pick up her stone from the litter. It seems a little duller out of the water, but still beautiful. A soft grey-blue which fades to a slightly darker shade at one end. The whole a perfect oval, amazingly smooth. She runs her fingers around and around it; the only bumps to tremble her fingertips are where tiny seaweeds have taken hold. She rubs them off with hands beginning to wrinkle from their time in the sea, until the stone is perfectly smooth. It sits snug and heavy in one palm, the size of a mango.

The lobster tires of its posturing and comes towards her on many legs. Its captor is busy rowing, so she takes command. She reaches over the claws and picks it up by the body. There are net buckets for crabs and lobsters fixed to the inside wall of the boat. She drops the grumpy creature in one, and folds over the hinged lid. It grabs the net on the inside with a weak claw, and waves its eyes slowly on their tiny stalks.

They are most of the way back. She turns back to her stone, whose surface is already warm from the sun. She imagines that it is really an egg, the egg of some mythic fish with extravagant ornamental fins and a sad and wise face. She imagines it hatching into a great serpent.

She remembers where it sat on the seabed, neat yet incongruous in a patch of white sand. She’d closed her fingers on its and lifted it from its bed, trailing fine grains behind it.

She reaches over the side, before the water gets too shallow, and slips the hand with the stone in it over the edge. The sea is warm, but cooler than the hot air on her hand. She lets go of the stone. It slips away. The water is clear but in the wake of the oars she can’t see where it lands after its slow fall. Maybe onto another patch of sand where another diver for clams will pick it up again; maybe even herself. Maybe it has fallen instead into a knot of coral, disturbing bright fish, where it will never be touched again. Maybe a huge eel like the one she saw before is already coiling its body around it, laying claim to a serpent’s egg.

Her friends have rowed all the way to the shore below the village. She hops out and lands with a splash in the shallows, to help drag the boat up onto the beach.

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